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Courage

Review: Courage (2021)

Courage is a foreboding film, especially at the very ending; an excerpt from the re-staged play Discover Love thematizes the events from the late 90s, when a businessman and an opposition leader where kidnapped and executed by the OMON.

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Marina Richter | 2021-03-31 | Berlinale, Documentaries, Festivals| Aliaksei Paluyan, Berlinale Special | 0 Comments

NanuTudor_OlgaLucovnicova

‘My Uncle Tudor’, Berlinale review: The illusion of Consent

From the start, Tudor is depicted with a sense of estrangement: through the veil, out of focus, partly hidden behind another person.

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Marina Richter | 2021-03-14 | Berlinale, Festivals, Shorts| Berlinale Shorts | 0 Comments

Minotaur-1

Cool Moves: Minotaur (2020)

Minotaur is a film which evacuates your possible knowledge of it. There are moments, places … but where, when, under what circumstance? It’s best not to read anything about this work before watching it.

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Marina Richter | 2021-03-14 | Experimental Films| 0 Comments

1001 attempts

Review: One Thousand and One Attempts to Be an Ocean (2021)

Wang’s directing, essentially composed of editing short clips together in the rhythmical fashion, is apt for a piece of video-art

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Marina Richter | 2021-03-10 | Berlinale, Experimental Films, Festivals, GSFF (Glasgow Short Film Festival), Shorts| Berlinale Shorts, Wang Yuyan | 0 Comments

Ventana

Review: Window (2021)

A snapshot photo of the stained glass window from Edgar Jorge Baralt’s childhood home in Caracas elicits memories in his short documentary video essay Window (Ventana) that has just premiered at Berlinale Shorts competition.

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Marina Richter | 2021-03-06 | Berlinale, Experimental Films, Festivals, Shorts| Berlinale Shorts, Edgar Jorge Baralt | 0 Comments

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